Posts

  • Saul Leiter

    Saul Leiter

    “My ambition in life was to pay my bills.”

    “We had moments where … we had an inability to concentrate on misery properly and a tendency to enjoy life.”

    “The street is like a ballet, you never know what is going to happen.”

    “…the world is full of endless things and there are many beautiful things around us, and people have a way and a talent for not noticing it, because they’re lazy and because they’re spoilt and because they lack the imagination to see what is around them is actually sometimes very beautiful.”

    Saul Leiter (in conversation with Vince Aletti, 2013. Image: Paris, 1959)
  • I will put my ship in order

    I will put my ship in order
    And I will set her on the sea
    And I will sail to yonder harbor
    To see if my love minds on me

    I drew my ship into the harbor
    I drew her up where my true love lay
    I drew her close up to the window
    To listen what my true love did say

    “Oh who is that at my bower window?
    That raps so loudly and would be in?”
    “It is your true love that loves you dearly
    So rise, dear love, and let him in”

    Then slowly, slowly rose she up
    And slowly, slowly came she down
    But before she had the door unlocked
    Her true love had both come and gone

    “Come back, come back, my own true love
    Come back, come back, come to my side
    I never grieved you nor yet deceived you
    And I will surely be your bride”

    “The fish shall fly, the seas run dry, love
    The rocks shall melt with the sun
    The laboring men shall forget their labor
    Before that I return again”

  • Pain

    Do something meaningful with your pain.

  • Heaven and Hell

    Heaven and Hell

    “The mind is its own place, and in itself can make a heaven of hell, a hell of heaven..”

    – John Milton

  • On Drawing…

    “Have you ever seen a pencil drawing that isn’t safe?”

    – Brett Whiteley
  • Love in the place that you found it

    “I phoned Leonard [Cohen] on the day that my mother – who in many ways was my ‘significant other’ – died. ‘Was that somehow strange, devoting one’s life to one’s mother?’ I asked. His response was impeccable: ‘Jenny, never question where love comes from. We have no control over these things. From a stranger, a mother, a dog, or that perfect mate, it comes from wherever it comes. You were lucky, in fact – everyone hopes to find love in the place that you found it.’”

    Jennifer Warne
  • The last rose…

    The last rose…

    So soon may I follow,
    When friendships decay,
    And from Love’s shining circle
    The gems drop away.

    Thomas Moore, from the last rose of summer.
  • Art

    Art

    “Art is the earths memory made tangible for human minds.”

    – Peter Walsh
  • William M Ivings Jr

    “At any given moment the accepted report of an event is of greater importance than the event, for what we think about and act upon is the symbolic report and not the concrete event itself.”

    William M Ivings Jr
  • Happy End

    Happy End

    “All around us, the world, and we, in its midst, blind.”

    Michael Haneke, from the movie Happy End

  • The light is everything

    The light is everything

    “Le sujet n’est rien, la lumière c’est tout”

    “The subject is nothing, the light is everything”

    – Leonard Misonne
  • Nothing Gold Can Stay

    Nature’s first green is gold,
    Her hardest hue to hold.
    Her early leaf’s a flower;
    But only so an hour.
    Then leaf subsides to leaf.
    So Eden sank to grief,
    So dawn goes down to day.
    Nothing gold can stay.

    – Robert Frost
  • Francis Bacon

    “The contemplation of things as they are, without substitution or imposture, without error or confusion, is in itself a nobler thing than a whole harvest of invention.”

    – Francis Bacon, Novum Organum, 1620

    “isn’t it that one wants a thing to be as factual as possible, and yet at the same time as deeply suggestive or deeply unlocking of areas of sensations other than simple illustrating of the object that you set out to do? isn’t that what art is all about?”

    – Francis Bacon

  • Waldeinsamkeit

    I do not count the hours I spend
    In wandering by the sea;
    The forest is my loyal friend,
    Like God it useth me.

    In plains that room for shadows make
    Of skirting hills to lie,
    Bound in by streams which give and take
    Their colors from the sky;

    Or on the mountain-crest sublime,
    Or down the oaken glade,
    O what have I to do with time?
    For this the day was made.

    Cities of mortals woe-begone
    Fantastic care derides,
    But in the serious landscape lone
    Stern benefit abides.

    Sheen will tarnish, honey cloy,
    And merry is only a mask of sad,
    But, sober on a fund of joy,
    The woods at heart are glad.

    There the great Planter plants
    Of fruitful worlds the grain,
    And with a million spells enchants
    The souls that walk in pain.

    Still on the seeds of all he made
    The rose of beauty burns;
    Through times that wear and forms that fade,
    Immortal youth returns.

    The black ducks mounting from the lake,
    The pigeon in the pines,
    The bittern’s boom, a desert make
    Which no false art refines.

    Down in yon watery nook,
    Where bearded mists divide,
    The gray old gods whom Chaos knew,
    The sires of Nature, hide.

    Aloft, in secret veins of air,
    Blows the sweet breath of song,
    O, few to scale those uplands dare,
    Though they to all belong!

    See thou bring not to field or stone
    The fancies found in books;
    Leave authors’ eyes, and fetch your own,
    To brave the landscape’s looks.

    Oblivion here thy wisdom is,
    Thy thrift, the sleep of cares;
    For a proud idleness like this
    Crowns all thy mean affairs.

    – Ralph Waldo Emerson

  • Into the Woods…

    “If you go down to the woods today, you’re sure of a big surprise.”

    – Henry Hall (The Teddy Bears Picnic).
  • Sally Mann, Untitled (Mississippi Landscape), 1998

    Sally Mann, Untitled (Mississippi Landscape), 1998

    “That part of the South is a kind of netherworld. I was asking the land to give up its ghosts. Collodion is the ideal medium for such landscapes. It is contemplative, memorial… In the face of some extraordinary sight or place you do not just take a picture. It is ceremonial. I am not a religious person, but there is an experience of communion in wet-plate photography. It is not a drive-by shooting.”

    – Sally Mann

    Interview with Sally Mann. See Lyle Rexer, from Photography’s Antiquarian Avant-Garde: The New Wave in Old Processes (New York: Harry N. Abrams, 2002), 80-81.

    Source

    Profligate physical beauty is easy to find in the South, but what gins up the ecstasy is the right light, the resonant, beating heart of that light, unique to the south. The landscape appears to soften before your eyes and becomes seductively vague, as if inadequately summoned up by some shiftless creator casually neglectful of the details.

    Sally Mann, Hold Still (213)